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IVES Symphony No. 3, "The Camp Meeting"
BARBER Violin Concerto, Op. 14
MUSSORGSKY/RAVEL Pictures at an Exhibition

Take a stroll through an art exhibit with your Colorado Symphony as we explore Mussorgsky’s crowning composition as orchestrated by Ravel. Featuring musical depictions of ten paintings by his late friend, Viktor Hartmann, Mussorgsky’s work highlights varied moods and is connected throughout with a brilliant ‘Promenade’ theme that gives the sense of an art lover sauntering from piece to piece through a museum. 2018 Musical America Instrumentalist of the Year and GRAMMY Award®—Winning violinist Augustin Hadelich returns to your Colorado Symphony, bringing his lyrical, singing style to Barber’s lush and virtuosic Violin Concerto, while Ives’ Symphony No. 3, “The Camp Meeting,” evokes memories from the composer’s childhood through music of the era.

The running time of this performance is approximately 1 hour and 38 minutes. This includes one 20-minute intermission.

Brett Mitchell, conductor
Augustin Hadelich, violin

Boettcher Concert Hall is at the southwest end of the Denver Performing Arts Complex (DPAC) located at 14th and Curtis Streets in downtown Denver. It's easy to find and there are two large parking garages available within walking distance: the DPAC Garage and the Colorado Convention Center Garage. Please arrive early to ensure ease of parking and an on-time arrival. With numerous other events happening at the DPAC all the time, parking fills up quickly. Late arrivals will be seated during the first available break. We strongly encourage alternate forms of transportation.

Find directions, a map, garage information, construction updates, and more:

Transportation & Parking

Have questions about what to wear, when to clap, or if you can bring the kids?

Frequently Asked Questions

If you don’t see the answer to your question, feel free to contact Colorado Symphony Concierge Rob Warner at concierge@coloradosymphony.org, or call the Box Office at 303.623.7876.

This weekend's performances feature a Prelude Workshop by Catherine Beeson, and on Friday night only, a Talkback with Music Director Brett Mitchell and violinist Augustin Hadelich.

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